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Archive for the ‘Back to You’ Category

Wednesday Notebook: "Pushing Daisies," "Private Practice," "Heroes," "Back to You"

Thursday, October 25th, 2007

Pushing Daisies

Maybe it's the Broadway geek within, but to have Kristin Chenoweth and Ellen Greene singing together on "Pushing Daisies" was simply a kick.

By the way, Ann V. in the comments below noted that it was a They Might Be Giants song. (News to me. But if you want to talk about the new Robert Plant/Alison Krauss collaboration, I'm ready.) So here's a video of They Might Be Giants' version …

And, since I'm in a full video frenzy, here's the "Pushing Daisies" version:

Getting back to the actual TV show, it continues to improve, once again going into the emotional territory involving its core gimmick …

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"Pushing Daisies" Wednesday: Less of a Cutie-Pie

Thursday, October 18th, 2007

Pushing Daisies
Sometimes people have to stop talking fast and let themselves feel something.

Last night was one of those where I just ran out of steam, managing to get through only half of "Private Practice" before sailing away on Lethe. But before that I did get through "Pushing Daisies" and was not entirely displeased. …

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New Season: "Back to You," " 'Til Death"

Wednesday, September 19th, 2007

"Back" premieres tonight, " 'Til Death" starts its second season tonight. …

Cast of

I keep thinking I should write something more detailed than what I had in today's HeldenFiles about "Back to You," basically that the second episode is funnier than the first. (You have to scroll down a bit to get to that stuff.) But that pretty much covers it. The first episode suffers from the need to introduce characters and establish the situation, while the second settles into getting laughs — notably with a sequence of farcical bits involving Kelsey Grammer, which merrily recall the escalating-complication episodes of "Frasier." Grammer and Patricia Heaton work very well together, and there's always the brilliant Fred Willard to liven things up.

I didn't say much in the paper about " 'Til Death," mainly for reasons of space, but also because it was a returning show that isn't much different than it was when it left. It has the same basic problem it has had from the beginning; it's a show about two couples where only one is consistently funny. (That would be Brad Garrett and Joely Fisher.)

While the show is considerably better than it was at the beginning of the first season, it's still not a great comedy. And it pretty much stops dead when the other couple takes center stage. So be it.